@Phil Premise - Script 6

Below is the 6th version of my script. I have looked more into the idea of writing a script that involves my Diabetes monster solely throughout. I like the idea of having the voice over and the character conversing.


Comments

  1. Tia WhiteheadFriday, 12 April 2019 at 13:54:00 BST

    Hi Phil,

    I have looked into what you said about involving the Diabetes monster character more within the animation and script. I like how I have involved the character more in this script, any feedback would be greatly appreciated.

    Thank you.

    ReplyDelete
  2. tutorphilSaturday, 13 April 2019 at 10:24:00 BST

    Hi Tia - this is SOOOOOOOOO much more promising, don't you agree? I think you need to move immediately to creating a loose animatic that really exploits the 'white space' idea and the simple sets - but where all the emphasis is on bringing out the character of your creature... some references to give you some further inspiration!

    Manipulation: https://www.youtube.com/watch?v=mG1hfBf1ppk. (quality is poor...)
    Duck Amuck: https://www.dailymotion.com/video/x2ofats

    ReplyDelete
    Replies
    1. Tia WhiteheadSaturday, 13 April 2019 at 20:45:00 BST

      Hi Phil, Yes I agree! I really like my script now! Ill start working on that :)

      Delete

Post a Comment

Popular posts from this blog

Kill Bill (2001) - Postmodernism

Image
Figure 1. Kill Bill Movie Poster (2003) Written and directed by Quentin Tarantino, Kill Bill (2003) is a crime and mystery film that is iconic for it's postmodern film design due to the use of many different film types combining together to create the film.  1.  Intertextuality  -  Kill Bill  is created using film conventions from many different films. This is shown through Tarantino's use of Japanese style fighting scenes and mystery. Figure 2. Fight scene  2.  Non-linear narrative  - There is a strong use of non-linear narrative through the film, meaning that the film's story line and narrative are disjointed. This is shown in the film with flash backs, for example, when 'The Bride' (Uma Thurman) see's Vernita Green (Vivica. A. Fox) and the siren sounds. Figure 3. Flash back  3.  Challenging gender stereotypes  - The main character in action films are usually muscular men with a woman as either their lo...
Read more

The Impossible (2012) - Three act structure

Image
Figure 1. Movie poster (2012) The Impossible is a disaster film directed by J. A. Bayona, which is based on the 2004 tsunami that hit Thailand. The film is based on the real life situation of a family of five who have travel to Thailand on a family holiday. The storm then hits the part of Thailand where the family are staying and they all become separated .  The three act structure The three act structure suggests that when creating there are three acts. The set up (exposition), the confrontation (obstacles) and the resolution. Figure 2. The three act structure Looking at the film:  The start (Ordinary world) -  At the start of the film the audience is told that the film is based on a true story. The opening shot shows the plane coming into Thailand with the family on it. This is where we are introduced to Henry (the Father), Maria (the Mother) and Lucas, Simon and Thomas (their three sons). It shows the family settling down at their holid...
Read more

Film review - Metropolis (1927)

Image
Fig 1 - Original Metropolis Poster Released in 1927 and directed by Fritz Lang, 'Metropolis' is one of the most influential films for modern Science-Fiction today, having used the biggest budget in German film making at the time. From the character and set design to the plot, many elements from this film can be spotted throughout a variety of modern films such as 'The Matrix' and 'Blade Runner'. 'Metropolis'   is a film based on a divided city set in the distant future where both the working and upper class live separate lives in different parts of the city. For the upper class, they are provided with high skyscrapers,  Eternal gardens, a district dedicated to entertainment, various methods of transport and many more, while the lower class are subjected to working continuously, enslaved below the city in machine halls and living in small, mundane buildings. Fig 2 - Machine halls Fig 3 - Metropolis Throughout the film, Lang...
Read more